Ebertfest 2022 Announces Complete Lineup, Will Be Dedicated to Sidney Poitier and Gilbert Gottfried The Editors
“He Stood on a Firm Piece of Earth”: John Patrick Shanley on Moonstruck director Norman Jewison Matt Zoller Seitz
Bijan Bayne on His New Book, Black Trailblazers: 30 Courageous Visionaries Who Broke Boundaries, Made a Difference, and Paved the Way Chaz Ebert
Considering Easy To Get: World War II Army Training Films, Segregation, Black Uplift and VD Sergio Mims
57th Chicago International Film Festival Announces Full Schedule; Wes Anderson’s The French Dispatch to Open The Editors
Mr. Soul! Nominated for Three NAACP Image Awards, Debuts Exclusive Music Video for Show Me Your Soul by Robert Glasper and Lalah Hathaway The Editors
RogerEbert.com Premieres the Theatrical Trailer and Poster for Melissa Haizlip’s Documentary Mr. Soul! The Editors
Jane Fonda and Three IndieCollect Restorations to Appear This Weekend at the 2020 HFPA Restoration Summit Chaz Ebert
Celebrating Michael Kutza: Founder of Chicago International Film Festival to be Honored at July 14th Gala Chaz Ebert
PROJECT INVOLVE/Ebert Fellow Melissa Haizlip Wins Audience Award with her film Mr. SOUL! at AFI DOCS The Editors
All Your Buried Corpses are Now Beginning to Speak: Raoul Peck on “I Am Not Your Negro” Matt Fagerholm
Taken for Granted: Awards Veterans Like Streep, Hanks and Washington Deserve Their Nominations Susan Wloszczyna
Art House Sirens American Western Blu-ray Double Feature: “Duel At Diablo” and “Monte Walsh” Glenn Kenny
From The Duke to The Departed: RogerEbert.com Writers Share Memories of the Academy Awards The Editors