The Beast
Gabrielle
Léa Seydoux
Léa Seydoux Movie Reviews
Dune: Part Two
Lady Margot Fenring
One Fine Morning
Sandra Kienzler
Crimes of the Future
Caprice
Deception
L'amante anglaise
France
France de Meurs
The French Dispatch
Simone
No Time to Die
Dr. Madeleine Swann
Zoe
Zoe
Beauty and the Beast
La belle
Diary of a Chambermaid
Célestine
The Lobster
Loner Leader
Spectre
Madeleine Swann
Saint Laurent
Loulou de la Falaise
The Grand Budapest Hotel
Clotilde
Blue Is the Warmest Color
Emma
Blog Posts That Mention Léa Seydoux
David Cronenberg, Léa Seydoux, and Viggo Mortensen on Crimes of the Future, Cannes, eXistenZ, and More
“The Brutalist” Leads Chicago Film Critics Association Nominees
Second Sight Releases Stellar 4K Versions of Crimes of the Future, It Follows
The Great Performances of 2024, Part One
The Best Films of 2024
The Best Films of 2024 So Far
Cannes 2024: The Second Act, Abel Gance’s Napoleon
A New Skin: Losing Control of Your Body in the 2020s
Until It’s Too Late: Bertrand Bonello on The Beast
Trigger Warning: Jessica Hausner Is Going to Keep Asking Uncomfortable Questions
The Great Performances of 2022
Preview of the 58th Chicago International Film Festival
Cannes 2022: An Annotated Table of Contents
Cannes 2022: Highlights of the Return of the Legendary Film Festival
Cannes 2022: Crimes of the Future, De Humani Corporis Fabrica
Cannes 2022: One Fine Morning, Brother and Sister, Mariupolis 2
Cannes Film Festival Preview 2022
Bright Wall/Dark Room January 2022: Place Cliché by Nathaniel Missildine
Goodbye, Mr. Bond: On the Impact of No Time to Die
Cannes 2021: The Restless, Nitram, Casablanca Beats, France
Cannes 2021: Memoria, Paris, 13th District, The Story of My Wife
Cannes 2021: A Hero, Deception, Petrov’s Flu
Cannes 2021: Where is Anne Frank, Stillwater, Lamb
Cannes 2021: The French Dispatch, JFK Revisited, Three Floors
NYFF 2019: Oh Mercy!, Sibyl, Saturday Fiction, The Irishman
Cannes 2018: Scorsese Honored at 50th Directors’ Fortnight; Rafiki, a Banned Kenyan Film, Screens
Cannes 2018 Video #1: Preview
Cannes 2016: “The Unknown Girl,” “Inversion,” “It’s Only the End of the World”
A Deeper Look into Sam Mendes’ “Spectre”
Is Blue a Straight Color?: On “Blue is the Warmest Color” and Representing Lesbians
Thumbnails 10/24/2013
Post-Cannes: Two Critics Look Back Over This Year’s Festival
Cannes awards: The jury and winners respond to the awards, then party
Awards Show Wrap-up: Cannes Report, May 26
Cannes: Palme predictions
Am I Blue?: Cannes Report, May 22
