Hitchcock/Truffaut
Himself
David Fincher
David Fincher Movie Reviews
Blog Posts That Mention David Fincher
David Fincher’s Mank Leads 93rd Oscar Nominees with 10
David Fincher’s “The Game” Turns 20
Eye on the Screen: David Bordwell (1947-2024)
Watching (and listening to) Fincher’s Girl
Venice Film Festival 2023: Poor Things, Maestro, The Caine Mutiny Court-Martial, The Killer
The Unloved, Part 1: ALIEN 3
The curious coolness of Benjamin Button
Three minor notions: 3. Punching the vocals in “TSN”
Inverting a Zodiac code
The fight over Fight Club
Three kinds of violence: Zodiac, No Country for Old Men, There Will Be Blood
Condensed Fight Club in 2 min. 25 seconds
“Zodiac”: Digital and analog
Chasing the image: Office spaces
Fight Club: I Am Jack’s Manic-Depression
The Social Network: A short film that’s also a trailer
Fight Club at Ten: A Love Story
LA & NY crix love The Social Network and Carlos
Opening Shots: Zodiac
Consensus and the Big Film Poll Blowout of 2007
The Dirty Harry scene
Nothing is real(ism), and nothing to get hung about
Here it is: Your first 2008 ten-best list
The Social Network: Communicating in code
Let’s get social: Networking frames
Waiting for The Social Network
IndieWIRE crix poll: American blood, blood, blood
Coding in pictures: The Social Network
National Society: The last best critics awards for 2010
Blurb-a-thon 2007
“Zodiac”: Not your usual serial killer movie
Salvation by Slugfest
A South Korean “Zodiac”
The best feature films of 2010
He Communicated with Forces that Were Not in the Norm: Oliver Stone on Directing Val Kilmer
Sundance 2025: The Perfect Neighbor, The Alabama Solution, Zodiac Killer Project
January 2025 Blu-Ray Guide: “Hundreds of Beavers,” “Smile 2,” “Venom: The Last Dance,” and More
The Unloved, Part 130: Hollow Man
The Texture of Night: How Collateral Revolutionized Movies
Retrospective: Jean-Pierre Melville and the Cinematic Hitman
It’s Too Bad That Audience Pictures Like Ultraman: Rising Will Barely Be Seen in Theaters
At the Movies, It’s Hard Out There for a Hit Man
It’s OK For Movies to Just End
A (Not So) Brief History of Silent Film Influences on Pop Music
Celebrating the Tenth Anniversary of Our Managing Editor Brian Tallerico at RogerEbert.com
A Preview of the 2024 Rendez-Vous with French Cinema
The Tenth Anniversary of The Unloved
Staying Connected: Gelila Bekele and Armani Ortiz on Maxine’s Baby: The Tyler Perry Story
TIFF 2023: A Canadian Looks Back at a Tumultuous Fest
The State of the 2024 Oscar Race: The Fall Festivals Leave Burning Questions
59th Chicago International Film Festival Announces Exciting Full Line-up of Features and Shorts
TIFF 2023: 20 World Premieres We Can’t Wait to See
Everything Is Fate: Julian Sands (1958-2023)
SXSW 2023: Bottoms, Self Reliance, Flamin’ Hot
A Preview of the 2023 Rendez-Vous with French Cinema
Angela Bassett, Jamie Lee Curtis, Brendan Fraser, Cate Blanchett, Colin Farrell and Brendan Gleeson Feted at SBIFF 2023
On The Rise of Taylor Swift, Filmmaker
I’m Afraid of Other People and Myself: Christian Tafdrup on Speak No Evil
HBO’s The Staircase is a Masterful, Stark True Crime Epic
From Kristen Stewart to Benedict Cumberbatch: Tribute Highlights from the Santa Barbara International Film Festival 2022
Greed is Good in Showtime’s Compelling Super Pumped: The Battle for Uber
Sundance 2022: Speak No Evil, Fresh, Babysitter
Netflix’s Visual Essay Series Voir is Worth a Look
The Black-and-White Films of the 2021 Award Season
Vampire’s Twist: A Look Back at Shadow of the Vampire
Shouting in Parking Lots: Jim Cummings and P.J. McCabe on The Beta Test
Book Review: Underexposed! The 50 Greatest Movies Never Made Presents Fascinating Alternate History
Oscars 2021: Nomadland is the Big Winner at an Unusual Academy Awards
Oscar Predictions 2021
SXSW 2021: Broadcast Signal Intrusion, Offseason
Five Female Directors Who Made Waves in 2020
How This Year’s Golden Globes Could Impact Award Season
The Parallax View and the Golden Age of Paranoia
The 2020 Frontrunners for Best Picture
The Joke’s On Him: Tom Cruise and Eyes Wide Shut
The 2020 Frontrunners for Best Director
After Kane, Before Mank: Revisiting RKO 281
The Great Performances of 2020
Nomadland Leads 2020 Chicago Film Critics Nominations
The Individual Top Tens of 2020
The 2020 Frontrunners For Best Actor and Best Supporting Actor
Recruit the Technological Revolution in Watch Dogs: Legion
How the Next Oscars Could Mirror 1997
Touring Masterworks: Adam Nayman Discusses His New Book on Paul Thomas Anderson
Leave It All on the Dance Floor: Cristin Milioti on Palm Springs
Happy 6th Anniversary to Brian Tallerico from RogerEbert.com
The Most Dangerous Animal of All Twists Itself into Knots
The Best Television of 2019
The Best Scores of the Decade
The Best Films of the 2010s
One, Two, Three: A wild Cold War farce from Wilder and Cagney
Mindhunter Stakes Claim as Netflix’s Best Drama
Paul Thomas Anderson, Thom Yorke Collaborate on Mesmerizing Anima
Happy Birthday, Ripley: Alien at 40
Grace and Nature: On Criterion’s Release of The Tree of Life
My Telluride Film Festival Diary 2008
Bright Wall/Dark Room August 2018: Women, Aliens, and Dangerous Things: Female Bodies in Alien 3 by Sarah Welch
A Lit Fuse: The History of the Mission: Impossible Franchise
Partners in mind: Keith Carradine and Alan Rudolph
