Just Between Friends
Produced by
Burns
Burns Movie Reviews
Blog Posts That Mention Burns
How Ken Burns’ “Shadow Ball” Connects Baseball’s Past to Our Uncertain Future
Saving Film History One Frame at a Time: A Preview of Restored & Rediscovered Series at the Jacob Burns Film Center
Scott Z. Burns’ Star-Studded Extrapolations is a Harrowing, Hopeful Look into the Future
The HistoryMakers Launches its WomanMakers Initiative With $1 Million Gift from Ursula Burns
Ken Burns’ Country Music Series is Thought-Provoking, Joyful
Ken Burns’ “Jackie Robinson” Premieres April 11 on PBS
Ebertfest Profile: John and Jim Burns
Interview with George Burns
Absolutely Mr. Matthau? Positively, Mr. Burns!
59th Karlovy Vary Film Festival Announces Official Selection and Juries
Cannes 2025 Video #2: Isaac Feldberg on Eddington, Chronology of Water, Left-Handed Girl, and More
Restored and Rediscovered Festival Spotlights Organizations at the Forefront of Film Restoration
The Idealist’s Journey
Pay Attention Now: Gretchen Mol and Juliana Margulies on “Millers in Marriage”
10 Great Performances from Sundance 2025
Sundance 2025: Rebuilding, Together, Peter Hujar’s Day
It’s Time to Give a FECK: Elevating Humanity through Forgiveness, Empathy, Compassion and Kindness (book by Chaz Ebert, with Foreword by Tamron Hall)
The Great Performances of 2024, Part Two
Living Forward: Adam Elliot on “Memoir of a Snail”
Home Entertainment Guide: October 2024
CIFF 2024: The Return of the Projectionist, Between Goodbyes, The Brink of Dreams
NYFF: Stranger Eyes, Harvest, Who By Fire
His Own Way: John Amos (1940-2024)
TIFF 2024: Millers in Marriage, Sketch, The Deb
13 Films Illuminate Locarno Film Festival’s Columbia Pictures Retrospective
Fantasia 2024: The Chapel, The Beast Within, FAQ
Willie Mays: The Greatest to Ever Play
Understanding Grief in Rural Canada Through Hulu’s Under the Bridge
What Will the Next World War Be Fought Over? A New Documentary Says It Might Be Food and Water
Reclamation Through Restoration: Thelma Schoonmaker Talks Michael Powell, Martin Scorsese and Peeping Tom
The Overlook Film Festival Highlights, Part 2: The Hands of Orlac, Kill Your Lover, Dead Mail, Red Rooms
Metrograph Highlights Remarkable Career of Lee Chang-dong
Keith Law Wants You to Watch Better Baseball Movies
War Was Not Over at the 2024 Oscars
True/False 2024: Ibelin, Alien Island, Yintah
Horror Movies Should Give Up The Final Girl
We Loved You Best: Tom Smothers (1937-2023)
Book Excerpt: You Talkin’ to Me?: The Definitive Guide to Iconic Movie Quotes by Brian Abrams
TIFF 2023: Summer Qamp, Boil Alert, Songs of Earth
The Walking Dead Finds Religion In the Compelling, Odd Spinoff Daryl Dixon
Peacock’s Twisted Metal Adaptation Takes Too Long to Get Into Gear
Comic-Con Without the Stars
New York Asian Film Festival 2023 Highlights
Home Entertainment Guide: June 2023
Ebertfest 2023: Frank Oz and Derek DelGaudio Screen In & Of Itself, Rita Coburn Spotlights Marian Anderson and More!
A Preview of the 2023 Rendez-Vous with French Cinema
Hello Tomorrow! Offers Creative Vision of an Alternate Reality
Sharp Second Season of The White Lotus Hopes Viewers Will Take Return Trip
Guillermo del Toro’s Cabinet of Curiosities Boasts a Master’s Standards
Showtime’s Let the Right One In Expands on a Horror Classic
FACETS Screen Gems Benefit is Sold Out, But Donations are Still Welcome
Bright Wall/Dark Room September 2022: Stupid Man Suit: On Donnie Darko by Lindsey Romain
TIFF 2022: Charcoal, Muru, Roost
Only a Few Tickets Left for FACETS Screen Gems Benefit on Wednesday, September 28th
Venice Film Festival 2022: A Couple, Bones and All, Master Gardener
Odie Henderson: An Anniversary Celebration
FACETS Honors Chaz Ebert’s Life and Career at Screen Gems Benefit on September 28th
We’re Only as Good as Our Generation: Ethan Hawke on The Last Movie Stars
Mr. Soul! Wins 2022 Peabody Award
Cannes 2022: An Annotated Table of Contents
Cannes 2022: Tchaikovsky’s Wife, The Eight Mountains, Scarlet
Gary Oldman, Sharp Writing Carry Very Entertaining Slow Horses
Scene Stealer: A Tribute to Isabel Jewell
Lata Mangeshkar: A 10-Song Primer
Happy 96th Birthday Newton Minow!
The Best Television of 2021
A Tale of the Tapes: On the ‘Recreated’ Conversations in Speer Goes to Hollywood (Updated)
A Lucky Film Buff: Leonard Maltin Reflects on His Life
Janus-Faced: The Two Tony Sopranos
Telluride Film Festival Announces Full 2021 Program Lineup
HBO’s Gossip Girl Doesn’t Work When the Kids Are Alright
Mr. Soul!: A Case Study in Indie Film Distribution
The Cruelest Month, Part 3: Sorry-Grateful
A Household Name in France: Celebrating Bertrand Tavernier
SXSW 2021: Sound of Violence, Jakob’s Wife, Woodlands Dark and Days Bewitched: A History of Folk Horror
What Dreams May Come: Julia Sarah Stone on Come True and the Mysteries of the Subconscious
The Smoke Gets In Your Eyes Cinematic Universe
Mr. Soul! Nominated for Three NAACP Image Awards, Debuts Exclusive Music Video for Show Me Your Soul by Robert Glasper and Lalah Hathaway
Unearthing Skeletons: John Carpenter on Lost Themes III and Scoring Halloween
The Nostalgia of Epix’s Bridge and Tunnel is Filled with Wrong Turns
Sundance 2021 Announces Virtual Competition, Premiere, Midnight Titles and More
How the Drive-In Saved Me in 2020
8 Films to See at the Nightstream Virtual Film Festival
Excellent Performances Lead Hulu’s Disturbing Horror Series Monsterland
Virtual Ebert Symposium 2020 Will Kick off October 8th, Explore the Evolving Media Landscape
TIFF 2020: True Mothers, Limbo, Another Round
Fantasia 2020: Come True, The Dark and the Wicked, Time of Moulting, Unearth
Revisiting the Screwball Charms of What’s Up Doc?
Enter Laughing: Carl Reiner, 1922-2020
Paving the Way: Shola Lynch on Chisholm ’72: Unbought & Unbossed
Malcolm X: Spike Lee’s Timeless Sermon
An Extension of Cinematic Language: Chris Edwards, CEO of Previs Firm The Third Floor
